x-zraci

x-zraci

A photograph using an x-ray. X-ray images have been used to identify what lies under the surface of a painting, including prior works or studies and sketches.

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Pridėti vaizdą

Kalbos dalis: noun
Sinonimai:
Blossary:
Pramonės šaka / sritis: Art history
Category: Visual arts
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Akronimas / santrumpa:

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X-zraci, rendgenski zraci

Chemistry; General chemistry

A very high energy form of electromagnetic radiation (though not as high energy as gamma rays ). X-rays typically have wavelengths from a few picometers up to 20 nanometers. ...

gama zraci

Chemistry; General chemistry

A very high energy form of electromagnetic radiation , typically with wavelengths of less than 3 pm. Gamma rays are produced by certain nuclear decay processes, and are used to ...

kosmički zraci

Astronomy; Planetary science

Extremely high-energy subatomic particles that continuously bombard Earth from all directions. Most cosmic rays hit and break up atomic nuclei in Earth's upper atmosphere. Airless ...

katodni zraci

Physics; General physics

Negatively charged particles (electrons) that are emitted from a negative terminal in an evacuated glass tube.

Zen budizam

Art history; Visual arts

A school of buddhism that asserts enlightenment can be attained through meditative self-contemplation.

šema

Art history; Visual arts

An outline, a simplified representation. Also, a schema may be a template or pattern for ordering objects, material or ideal.

realizam

Art history; Visual arts

(with a capital ‘r’) refers to mid-nineteenth century art works that deliberately represented wretched and even ugly subjects, usually for a political reason. The term was first ...

salon

Art history; Visual arts

Any of the annual exhibitions of artworks held in france. Often, today, the term is used negatively to describe the exhibitions of the mid-nineteenth century of traditional, ...

romatizam

Art history; Visual arts

A literary and artistic movement beginning in the late eighteenth century europethat gave priority to subjective experience rather than subordinating that response to classical ...