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përsëritje

A basic artistic device, fundamental to any conception of poetry. It is a highly effective unifying force; the repetition of sound, syllables, words, syntactic elements, lines, stanzaic forms, and metrical patterns establishes cycles of expectation which are reinforced with each successive fulfillment.

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  • Kalbos dalis: noun
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  • Pramonės šaka / sritis: Literature
  • Category: Poetry
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përsëritje e crregulltë
Literature; Poetry

The irregular repetition of a word, phrase, or line in a poem. It is a type of refrain, but differs in that it can appear at various places in the poem and may be only a partial ...

përsëritje e trefishtë
Games; Chess

Occurs when the players have been moving back and forth, repeating the same position. Often happens when a player, behind in material and facing eventual loss, sacrifices for a ...

poezi abstrakte
Literature; Poetry

Poetry that aims to use its sounds, textures, rhythms, and rhymes to convey an emotion, instead of relying on the meanings of words.

vargje akademike
Literature; Poetry

Poetry that adheres to the accepted standards and requirements of some kind of "school." Poetry approved, officially, or unofficially, by a literary establishment.

vargje të lira
Literature; Poetry

A fluid form which conforms to no set rules of traditional versification. The free in free verse refers to the freedom from fixed patterns of meter and rhyme, but writers of free ...

sonetë
Literature; General literature; Poetry

A fixed form of lyric poetry that consists of fourteen lines, usually written in iambic pentameter. There are two basic types of sonnets, the Italian and the English. The Italian ...

baladë
Literature; Poetry

A short narrative poem with stanzas of two or four lines and usually a refrain. The story of a ballad can originate from a wide range of subject matter but most frequently deals ...

argument
Literature; Poetry

The subject matter or central theme of a work of literature or a summary of the work, often used as a prologue to a drama, epic, or narrative.

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